Longwave Music is a record and publishing label founded in 2018 to support local artists on the South West Coast of Ireland. In 2020 Longwave Music Radio LMR opened an online radio station to offer an alternative platform to artists during Covid lockdown. This soon blossomed to uncover original indie music from all corners of the world. As musicians and music lovers ourselves we understand what it takes to write an original song and play it to an audience. We are delighted to introduce you to this new music from all over the globe and hope you enjoy listening to original material as much as we do.

Anita Cane Violins is steadily carving her path as one of Italy’s most exciting and genre-defying singer-songwriters. Emerging from Como, a picturesque city nestled at the foot of the Alps, Anita’s music reflects her rich cultural heritage and bold approach to blending genres. Her latest single, "Raise Your Vibe", released in collaboration with producer Paolo De Santis (Desanudo) and rapper Roger aka Erre, marks a new chapter in her sonic evolution—a lush fusion of neo-soul, laid-back electronica, and a dash of 90s nostalgia that feels both contemporary and timeless.

Since the release of her debut single, "Sere d’estate", in 2020, Anita has demonstrated an unwavering commitment to authenticity, creativity, and musical exploration. With her EP Intro-Versi (2022), she introduced listeners to her introspective writing and emotive voice, blending Italian and English lyrics with influences spanning soul, jazz, R&B, and hip-hop. Now, with "Raise Your Vibe", Anita continues to push musical boundaries, crafting soundscapes which evoke deep emotional resonance through simple, powerful messaging.

The Vision Behind "Raise Your Vibe"

"Raise Your Vibe" is more than just a song—it’s a mantra, urging listeners to elevate their energy and mindset. The track opens with a hauntingly smooth blend of electronic rhythms and soulful melodies, creating an atmospheric, almost meditative soundscape. While the essence of neo-soul forms the song’s foundation, there is a palpable urgency in the groove. Punctuated by synthesised bass, ethereal backing vocals, and wobbly, pitch-shifting keys, the repeated mantra centred around the line “raise your vibe” serves as an antidote to the shadows cast by the song’s moody instrumental lines.

In an interview with Longwave Music, Anita Cane Violins explained that her music revolves around three essential elements: soul, groove, and a touch of melancholy or nostalgia. These pillars are intricately woven into "Raise Your Vibe". The soul radiates through her impassioned vocal delivery, the groove anchors the track with its hip-hop-inspired beats and funky undertones, and the melancholy is carried by the moody, atmospheric instrumentals. Together, these elements create a layered, emotive experience that invites listeners to reflect while simultaneously uplifting their spirits. For Anita, these ingredients are not mere stylistic choices—they are the emotional foundation of her artistry.

The Creative Process: Crafting a Collaborative Mosaic

The production of "Raise Your Vibe" was a deeply collaborative effort, with Anita composing and writing the core of the track. Partnering with Paolo De Santis (Desanudo), a seasoned producer renowned in the Italian indie and electronic scenes, she brought her vision to life. Desanudo’s expertise in electronic production adds a rich texture to the song, perfectly complementing Anita’s soulful voice to create a polished yet organic sound.

A standout feature of the track is the contribution of rapper Erre, whose verse, set against a trip-hop-style beat, adds depth and dimension. Erre’s sharp and articulate flow balances Anita’s smooth, velvety vocals, creating a dynamic interplay that reinforces the song’s central message: to open oneself to life’s full spectrum of experiences, both high and low, in order to truly elevate. This melding of vocal styles delivers a compelling and multifaceted listening experience.

Looking Ahead: The Future of Anita Cane Violins

"Raise Your Vibe" marks a significant step in Anita Cane Violins’ artistic journey, as she continues to refine and redefine her musical identity. The single’s album artwork reflects the song’s essence—simple yet profoundly multidimensional, much like a mandala. At first glance, it resembles a vibrant, abstract flower, but closer inspection reveals intricate, hand-written details that draw the viewer inward, encouraging reflection. This intentional design focuses the mind on Anita’s all-important mantra, “raise your vibe,” inviting listeners to connect with its meditative depth. The artwork becomes a visual extension of the song’s message, embodying both its simplicity and complexity.

For fans of music that challenges norms, blends genres effortlessly, and speaks to both the heart and mind, Anita Cane Violins is an artist to watch. "Raise Your Vibe" invites listeners to embrace the unknown, let go of negativity, and trust in the transformative power of music. It’s a poignant reminder that the journey of self-discovery is rarely linear, but through music, we can always find a way to transcend.

Catch Anita Cane Violins’ evolving sound on her upcoming releases here: anitacaneviolins.com. For now, "Raise Your Vibe" offers the perfect soundtrack to elevate your energy and spirit.

Growing up captivated by British and Irish music, Kubíková cites Freddie Mercury, Bono, and the temperate sensitivity of Scottish and Irish folk as major touchstones. “I’ve always been influenced by UK and Irish music,” she explains. “The passion in Freddie’s voice, the truth in Bono’s ideas, these things shaped how I hear and create music.” She also draws inspiration from Alicia Keys’ soulful intensity, as well as a wide range of classical repertoire, from Mozart to contemporary film scores.

The Harmonic Language Behind Her Sound

This blend of influences finds expression in the harmonies that define her sound. Kubíková speaks with enthusiasm about chord progressions borrowed from her musical heroes, particularly Mercury. “I know every song by Freddie,” she says with a smile. “Those chromatic changes, that emotional tension… it stays with you.” Her upcoming album reflects this interplay of soul, melancholic pop and dream-like textures, underpinned by the classical discipline she has cultivated through her parallel academic career.

Bridging Linguistics and Composition

Alongside her music, Kubíková is completing a PhD in linguistics, with a focus on the relationship between words, melodies and the evolution of opera. Though highly technical, her research informs her artistic philosophy: that music and language share the same emotional architecture. “Music is a language,” she says simply. “It connects people, no matter where they come from.” Her studio work often becomes a point of convergence between academic inquiry and creative instinct: a space where theory and emotional expression coexist.

Music 27: A Journey Through Isolation and Renewal

Music 27 was born during a period of personal isolation and emotional upheaval. Kubíková speaks openly about feeling overlooked and invisible, both in her personal life and artistic relationships. The album became her way of reclaiming that space. “I had so much pain inside,” she explains. “I decided to put it into words and music. There’s always a light we can touch, even in the darkness.”

The Symbolism of “27”

The title itself is deeply symbolic. Born on the 27th of January, she views the number as a personal signifier and a tribute to loved ones who shaped her life, including her late grandfather. “My hero”, she states proudly. Kristina is quick to clarify that it bears no relation to the infamous “27 Club”. “This is something personal,” she stresses. “A message to myself to carry on, to stay authentic and not give up.”

Crafting an Independent Artistic Vision

Authenticity has also guided her decision to work independently. Armed with strong musical intuition and developing theoretical knowledge, she builds arrangements in collaboration only with her sound engineer at the Brno-based studio Skroupova. “I didn’t want too many outside influences,” she explains. “I wanted to be responsible for every decision.” Live performances are planned for the future, with both Czech and international session musicians, but the project will remain firmly centred around her own name and vision.

Vocal Inspirations From Home and Abroad

Despite her Czech heritage, Kubíková’s local listening habits are modest; she more readily cites British and Irish styles, alongside Czech artists such as David Koller and Dan Bárta, as touchstones for vocal performance. She values musicians who prioritise craft over spectacle. “I like when someone gets on stage and you can feel that they can really sing,” she says.

As anticipation builds for Music 27, Kubíková continues to attract listeners across the UK and Ireland, where her music has already begun to circulate on independent radio. For her, the response is a reminder of exactly why she makes music: to share feelings honestly, and to offer connection where words might fall short.

“I want people to feel hope in the darkness,” she says. “If someone recognises themselves in my songs, then the music has spoken.”

Looking Ahead

Music 27 is expected to be released in early 2026 and will feature tracks including “I Have Demons”, “I Feel Me” and “I See Stars”.

You can listen to Kristina's tracks here : https://music.apple.com/cz/artist/kristina-kub%C3%ADkov%C3%A1/1812359175

Keep up to date with Kristina's latest releases on Instagram https://www.instagram.com/kristininmusik27/

Choice tracks from around the world sent to us here at LMR

Listen now or at a time that suits you. Tracklist below. Wait for it...

For Oscar Wilkins, music isn’t just a form of expression—it’s a craft that thrives on passion and intensity. With a sound rooted in R&B but amplified by rock & pop elements, the Dublin-based artist is carving out a unique space in the music world. “I’m not trying to reinvent the wheel,” he explains. “I just want to put my own spin on it, to create something people can connect with.”

Finding His Sound

Starting his journey in R&B, Oscar quickly realised that he didn’t want to be confined to genre conventions. Instead, he infused his music with an edge that’s hard to ignore—heavy, intense, and deeply personal. “I don’t see myself as a traditional songwriter,” he admits. “For me, it’s more like connecting the dots or solving a jigsaw puzzle. The elements are all there; I just have to piece them together.”

Oscar’s songs often come together quickly, sparked by moments of inspiration and a drive to create music that resonates. “It’s about making something people can identify with,” he says. “No overthinking, just get to an intense space with no punches pulled.”

Influences That Shape His Vision

Oscar’s influences span an eclectic mix, from The Weeknd and MGMT to rock legends like Metallica, Prince, and Guns N' Roses. However, his ultimate inspiration is George Michael. “He’s my favourite artist,” Oscar shares.

His time at Ballyfermot College of Further Education’s Rock School was instrumental in his development. “It was there that I really gained the confidence to sing,” he recalls. Initially aspiring to work with DJs, he pivoted to focus on building a solid foundation for his artistry. “You’ve got to have something substantial to bring to the table before people will want to collaborate with you,” he notes.

The Lost Mystique of the Artist

Far from the archetypal “boy next door,” Oscar believes that modern artists share too much of themselves. Inspired by the mystique of legends like Led Zeppelin, he’s committed to keeping an air of mystery. “People give away too much on social media,” he explains. “It takes away from the magic. I want to create something that stands apart, something that leaves people wanting more.”

Crafting “Slow Burn” and Beyond

Oscar’s recent work, including his track “Slow Burn,” reveals his most personal side yet. Collaborating with producers like Eulogy and Don’t Choke, he honed a sound that’s as raw as it is refined. “That song was about me,” he says. “But now, I’m shifting focus. I want to write about where I’m from.”

Dublin serves as both inspiration and backdrop for his evolving sound. Reflecting on the city’s challenges—from political tensions to societal shifts—Oscar aims to uplift his listeners. “It’s OK to be crazy and embrace who we are,” he says. “I want people to feel proud of where they come from.” This raw emotion reaches a crescendo during Nathan Clyne’s ripping Metallica-esque guitar solo. The pair met at Ballyfermot College of Further Education’s Rock School.

Looking Ahead

After a prolific 2024 of 4 releases and a milestone gig at Dublin’s Sound House, Oscar is setting his sights on an even bigger 2025. Determined to build momentum, he plans to perform more gigs and release new music in the coming year. With an album in the works, his ambitions are clear: “If it’s ready next year, I’ll release it. But I want to go bigger. This is just the beginning.”

Explore Oscar Wilkins’ music and follow his journey on his official Linktree.

Written by Colum Sheehan

From the next big thing in Irish pop to seasoned songwriter, Naimee Coleman returns to the Irish music scene on her own terms.

Somewhere rooted in the underbelly of your subconscious is the catchy hook of Aurora’s ethereal spin on Duran Duran’s classic hit "Ordinary World." It’s a track that captured the essence of the time when the Celtic Tiger flourished, The Corrs were dubbed the future of Irish pop, and dance was king. What Elizabeth Frazer was to Massive Attack’s "Teardrop," Naimee Coleman was to Aurora’s "Ordinary World" — it’s body and soul.

An impressive start; she was signed to the music label EMI at the cusp of eighteen before her debut album "Silver Wrists" was released in 1996. Her sophomore album, "Bring Back the Moon," was primed for commercial success, but with the dawn of the millennium and a new musical landscape, Naimee recalls, "the machine was getting antsy, and I was aware that things were afoot," prompting the songstress to take up residence in LA for a "fresh start."

After a 22-year hiatus from the Irish music scene, the Dubliner is back with her new album, the self-recorded and self-produced "The Edges," a stark departure from her springboard sound. With collaborations from drummer/musical director Adam Marcello (Brandi Carlile, Sara Bareilles), guitars from Steve Major of the Canadian grunge band Our Lady, and vocals from longtime collaborator Gemma Hayes, Naimee has no shortage of friends in high places. Her signature angelic timbre is seemingly unblemished with time, but her songwriting has noticeably evolved and matured. It’s a record that demonstrates musical restraint, unbridled with embellishments — the cornerstone of nineties pop. Naimee has shed her pop star skin and morphed into a seasoned songwriter, all under the veil of the Californian sky.

From the onset, "The Edges'' is a deeply personal record, but one that covers themes which will universally resonate. The edges represent Naimee’s struggles with anxiety and depression, a snapshot of a time when she was "blurred around the edges' ' — the embodiment of a watercolour painting. The song itself is a lesson in melancholic majesty in the vein of Agnes Obel as Naimee unfurls into the sound of the piano. There is a sardonic slant to the lyrics as she infantilizes her own vulnerability, "delicate girl, you’re not made for this world." It’s not music to "whip on for your morning jog," she quips, but this song is a ceremonial bonfire to commercial expectations of the past and a testament to Naimee’s resolution to write for herself.

On a brighter note, "California'' is a tribute to her surrogate home, as Naimee’s seraphic voice safely guides us across the Atlantic and into the "waiting arms" of the Golden State. Mythicized in songs from Joni Mitchell to Phantom Planet, California is one of songwriting most alluring muses. Naimee’s version feels as if you have waded into a sleepy dream, the sun beating on your neck. Her voice is whispery against the laid-back acoustic guitar, the sparse vibraphone adding bright notes to the heaven-esque depiction. The song evokes the same dizzy high of falling in love as she yearns for her second home through a rose-tinted lens.

The featured single, "Lost Our Way," is another standout, elevated by the silky harmonies from Bell X 1’s Paul Noonan. The song delicately explores feelings of disorientation after a major transition and the nagging doubts that plague us yet are too proud to admit.

The record also includes a cover of Joy Division’s iconic "Love Will Tear Us Apart," the anti-love love song to rule them all. Penned by the late Ian Curtis before his untimely suicide, the song is a devastating truth of the complexity and fragility of human relationships. Naimee whittles away the post-punk edges, revealing the emotional core of the song. It’s a bold move to refine a classic, but this is someone who has been immersed in the ever-changing landscape of the music industry for twenty-two years — need I say more.

Naimee is one of those rare entities who was never disillusioned with the grandeur of musical fame — the music was always paramount. Whether it’s lending her voice to different media projects in LA or touring with Robin Gibb of the Bee Gees, Naimee has a refreshing commitment to the craft above all else, in all its incarnations. To say this is a comeback record would be to imply that she ever left at all.

"The Edges" is the truest representation of where Naimee is now as an artist and a reminder that your best is yet to come. 

‘‘The Edges’’ is now available on all streaming platforms and Bandcamp for purchase.

https://naimeecoleman.bandcamp.com/album/the-edges

Julie Harrington

Wait for it.........!!!

The New Leaves, like so many contemporary music projects, emerged from the post pandemic wilderness. Consisting of four childhood friends from County Down in Northern Ireland, the band blend lush, three-part harmonies, nature inspired lyrics and modern folk aesthetics to brand them as a new, unique force in the genre. The four members came together to breathe life into an expanding songbook written by McKay, who attempts to capture the natural beauty, history, and mythology of homelife beneath the Mourne Mountains and the beautiful townlands that surround Carlingford Lough. 

The New Leaves are:

Decky McKay – Vocals, Guitar.

Cian O’ Hare - Vocals, Guitar

Patrice Mc Kevitt – Vocals, Bass.

Paddy Goodfellow – Drums & Percussion

BAND SOCIALS:

Los Saints 

Art opens a window into the soul. It doubles as a haven for all of our most intimate thoughts, desires, and emotions. Like splashing paint on a canvas, Los Saints pour all of their experiences and feelings into a vibrant mosaic of indie, alternative, and rock. They piece together memories and mantras in the form of gauzy melodies, fuzzy guitars, and dusty rhythmic grooves. Co-founded by cousins Angel Mariscal [vocals, guitar] and Emiliano Garcia [drums], as well as mutual friend Gianluca Exposito [guitar], who has since parted ways with the band, the group have quietly buzzed out of the sleepy border town of Chula Vista, CA with sold out shows and acclaim from the likes of San Diego Union Tribune, Remezcla, Alternative Press, and more.

Now, Los Saints sharpen their distinct and dynamic signature style on their full-length debut LP, 'Certified' [ENCI Records].

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Delta Sleep

"Blue Garden invites listeners to feel everything through a diverse sonic landscape of math-rock, forays into emo territory, and splashes of indie. Part of being human is the ability to have these nuances throughout our synapses, and the four musicians of Delta Sleep know it all too well. There is a future out there, and as Delta Sleep puts it, "Maybe it'll be worth finding."- Swim Into The Sound

"The British math-rock outfit (Delta Sleep) delivers twelve evocative songs that dwell on internal and external themes, touching on personal despair and widespread turmoil." - Already Heard

"With Blue Garden, Delta Sleep have crafted an album that is both a bold departure yet a natural progression, offering something new while staying true to their roots. Fans will undoubtedly find themselves hitting repeat, eager to delve deeper into the band's latest adventures."- Button Pusher

Debris Discs

Debris Discs revisit the Post War Plans album on the Post War Live EP, recorded in their hometown's Edwardian-era theatre

Over its twelve stunning songs, Debris Discs' 2023 album Post War Plans explored broad themes of love, family, and memories set to a backdrop of World War 2 and its enduring aftermath. This June sees Debris Discs look at five of those songs from a very different creative and sonic perspective on Post War Live.

Debris Discs is the solo venture of former Coves & Caves/My Side of the Mountain member James Eary. Nestled up in the hills of the High Peak in Derbyshire, James contrasts rural, understated songwriting with an arsenal of dusty synths, drum machines, effects pedals and a trusty old telecaster. The result is a kind of windswept, cinematic yet lo-fi soundscape with a resolutely pop sensibility.

Where the album versions of the tracks revolve around Beach Boys style harmonies and an indie-pop sensibility that resonates Belle & Sebastian, Camera Obscura, and The Magnetic Fields; the Post War Live versions - which were recorded at The Arts Theatre in James' home town of New Mills in the picturesque hills of rural Derbyshire - express a greater emphasis on electronics while retaining the independent and solo ethos that marks James' current creative process.

Artist bio and socials:

https://www.analoguetrash.com/artist/debris-discs

Enjoy our choice of Tracks of the Week now.....wait for it !